The Coen Brothers' latest is a beautiful, melancholy song.
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"Will the circle be unbroken?"
Who needs a plot in the hands of the Coen Brothers?
Vamps be vampin.
Alex thinks this film on the horrors of parenting falters.
Giant monsters! Spelunking! No emotional involvement whatsoever!
NIGHTBREED: THE CABAL CUT screened at Fantastic Fest, but twenty three years later Clive Barker's film still ain't finished.
Phil wants a world where a film about a murder victim reincarnated as a revenge-driven housefly is embraced by everyone.
A documentary about the greatest science fiction film never made.
Randy Moore's ESCAPE FROM TOMORROW offers a imperfect-but-singular viewing experience.
…but like any love letter, it doesn’t really have all that much to say.
Pawel Pawlikowski's latest is about a young novice who leaves the convent to learn more about her mysterious past.
An installation that, along the way, turns into a fascinating movie.
Read Devin's review from Fantastic Fest of the movie out in theaters today!
A loving look at one of the best Kaiju films ever.
Not good, but not quite bad either.
Imagine a world where complex gender politics and dynamics are approached honestly. It's kind of nice.
This guy has a killer job.
Don't piss off the pit.
A romantic comedy that seems to hate romance.
The painful, beautiful story of a young girl exploring her emerging sexuality.
Stitched together from the corpses of various horror trends, this well-intentioned creation struggles to come to life.
Woody Allen and Cate Blanchett paint a startling and effective portrait of a woman come undone.
The debut from 26-year-old Ryan Coogler is bold and immediate filmmaking.
Johnnie To delivers a solid Johnnie To crime film.
Sit back and watch a bunch of guys steal some ice.
Nicolas Winding Refn's experimental look at revenge in Bangkok deserves a hand. Or three.
The rigors of becoming a wine wizard.
But is that really a bad thing?
The Tom Everett Scott -JCVD throw down you always dreamed of is almost here.
An informative doc that examines what drives a killer whale to kill.
This found footage-cop movie hybrid accidentally entertains out the wazoo.
It tastes like spiders.
Alex hits up NYAFF for BAD.
Coming of age never gets old.
Chances are, this film was not made with you in mind.
Awesome, but surprisingly familiar.
GOOSEBUMPS with pubes.
I'd like to be buddies with this comedy.
Not as fun as it should have been, but a little fun all the same.
James Wan's latest brings the scares.
Take a frustratingly surface level trip into the world of Box Wars.
Brad Pitt's zombie film succeeds despite itself.
Wacky, fun, and just as perfunctory as it looked.
Not for everyone. Definitely for someone, though.
The Aidan Quinn/Beau Bridges team-up you've hungered for has arrived.
THE INTERNSHIP does a horrible job of selling itself as a funny (or real) movie.
Louis Leterrier's latest will make your patience disappear.
Devin reviews the latest in a franchise that's, more than anything, about family.
The latest film in Linklater's BEFORE trilogy is the new Drafthouse Recommends title.
Olivier Assayas' latest is also his best.
Hulk non-reviews Marvel's latest.
Jordan just isn't sure what.
Jordan reviews this unusual documentary about a Jewish family who owns a run-of-the-mill strip club.
This movie is not as smart as it thinks it is. Not by a long shot.
An unlikely friendship in small town Texas makes the soul of this quietly poignant film.
Rutger Hauer is a blind Hercules in Alicia Scherson's adaption of the Roberto Bolaño novel.
What does the worst of bad look like?
It is exactly what it wants to be. But is it enough?
Bikini Kill's Kathleen Hanna moves to the front in an impassioned documentary about the punk feminist.
Stuart Gordon's twisted fairy tale holds up in Fango's new Videocrypt series.
Brie Larson works at a foster care home for at-risk youth in this subtle and resonant film from Destin Cretton.
This is not the transgendered prison film you're looking for.
Somehow the star of BEVERLY HILLS COP has become the star of BEVERLY HILLS CHIHUAHUA.
Hulk reviews the documentary made up of Super 8 films shot by Nixon's closest advisors.
Joss Whedon spent twelve days filming his friends in his backyard and made a miracle.
Jordan absolutely loves this latest entry in New Romanian Cinema.
This South Korean horror film from Park Jung-Woo has a lot going for it.
Guys, you're never too old to like watching dumb dudes drink shots.
How much Karpovsky is too much Karpovsky?
Jordan reviews the latest film from Iranian filmmaker Abbas Kiarostami.
The script's a clunker, but Soderbergh works magic with it.
Neil Barsky's documentary KOCH examines the legacy of New York's controversial former mayor, Ed Koch.
It's 1929. A vicious mob war is tearing the city apart. One man is caught in the middle. And no one has hit puberty yet.
A current, cinematic documentary about the conflict in Egypt.
Jordan reviews the uneasy film about the 2002 Beltway sniper attacks.
Jacob Kornbluth wisely steps aside and lets former Labor Secretary Robert Reich do the talking in this sharp documentary about widening income inequality in the United States.
Ben Wheatley's follow-up to KILL LIST is darkly inspired and completely hilarious.
40 minutes were cut from William Friedkin's CRUISING to placate censors. James Franco and pals work together to recreate those 40 minutes. Except not really.
Pornographer Paul Raymond gets the TRUE HOLLYWOOD STORY treatment in Michael Winterbottom's biopic.
A stoner comedy that's heavy on the stoners, light on the comedy.
Daniel Radcliffe, Dane DeHaan and Ben Foster play The Beats and play them great in John Krokidas' feature debut.
Qi Zhao follows three families reeling from the effects of the 2008 Sichuan earthquake in this deft documentary.
Filmmaker Jason DaSilva chronicles the seven year journey since his diagnosis with primary-progressive multiple sclerosis.
The new horror film produced by Guillermo del Toro dares to do something different.
Jordan appraises the EASY RIDER remix by James Benning.
Tom Cruise: The Movie.
Anything that works in LES MISÉRABLES works despite director Tom Hooper's best efforts.
Tarantino's nearly three hour epic still doesn't feel long enough.
Jordan doesn't care how low your self-esteem is, there are better uses for your time.
Brad Pitt and Andrew Dominik's second team up is a very mixed bag.
The documentary about legendary drummer Ginger Baker is no glorified VH1 special.
Jordan reviews this powerful and uncomfortable dark comedy.
It's the strangest Bond film in 43 years. Is it also the best?
Brian reviews the latest addition to the West Memphis Three canon.
This film is not for everybody. But it's REALLY for some people.
So much awesome obscured by so much bad filmmaking.
Tyler Perry takes a bold step into our cinematic purview and makes it his own.
April romanticizes underwater cave deaths in her review of the erudite amalgamation of genres VANISHING WAVES.